I Want To Be An Alt

Kellina de Boer
EDITOR-IN-CHIEF

Paul Kolyer
MANAGING EDITOR

Heather Dunhill
FASHION EDITOR

CONTRIBUTING EDITORS
Kamila Brudzynska
Bernie Rothschild

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I Want To Be A Roitfeld

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IWTB RECOMMENDS

Chloé: Attitudes
By Sarah Mower

 

Jane & Serge
By Andrew Birkin

 

Loulou de la Falaise
By Natasha Fraser-Cavassoni

 

Halston: Inventing American Fashion
By Lesley Frowick

 

Dries van Noten
By Pamela Golbin

 

A Denim Story
By Emily Current, Meritt Elliott, Hilary Walsh 

 

Veruschka: From Vera to Veruschka
By Johnny Moncada

 

Draw Blood for Proof
By Mario Sorrenti

 

Diana Vreeland Memos:
The Vogue Years

By Alexander Vreeland

dimanche
avr.072013

Vogue Paris September 2001: Couture

Vogue Paris September 2001: Couture
By Bernie Rothschild

For the September 2001 issue of Vogue Paris, Emmanuelle Alt styled the fall couture collections starring the models Anne-Catherine Lacroix and Angela Lindvall in "Couture." This was one of the first few issues of Vogue Paris under the formidable direction of Carine Roitfeld with Emmanuelle as her rédactrice en chef mode. Ms. Roitfeld's vision for the magazine was crystal. Ms. Alt also happened to style the cover as photographed by Terry Richardson where it shows Angela Lindvall posing with a baby baboon. How kinky, freaky, and chic at the same time but very chic. She wears the baby monkey boldly on one shoulder as if it is the latest accessory of the season. I wonder if this shoot crossed the mind of Carine Roitfeld when she was styling her latest contribution to Harper's Bazaar as Global Fashion Director, "The Animal Nursery," which also features adorable baby monkeys.

This editorial marks the second year of the new millennium and the photos showed how it didn't really change, that you could still wear it today. The only difference was that the houses were designed by different designers. There's the great John Galliano for Dior, Givenchy by Julien McDonald, Yves Saint Laurent and Valentino by the original owners, Pierre Balmain by Oscar de la Renta, and Christian Lacroix. Only Karl Lagerfeld for Chanel and Jean Paul Gaultier remain today as the guard of the Haute Couture dressing. How nostalgic and melancholy at the same time.

The photos were somewhat an homage and inspired by the work of Helmut Newton whose association with Vogue Paris is remarkable. Couture dresses are expensive, difficult to wear, grandiose, and ladylike, but Emmanuelle Alt took it to the street with the I-don't-give-a-fuck-I-hate-too-much-effort attitude that has influenced the street-style of this internet generation. This photos is very much based on the feminine-masculine personal style of Ms. Alt and her love of Paris, smoking, and fast cars.

In the first photo, Angela Lindvall is wearing the exotic Tibetan-inspired Dior Couture by John Galliano. The Dior collection under Galliano was the must-watch show every season. His theatrical, nearly costume-like, show was worth it and beyond fabulous. The overt multi-cultural ethnic references in his designs are amazing. The simplicity of the background of the streets of Paris to keep the focus on the flamboyance of the dress was a perfect match.

The Lacroix couture dress that Angela wears reminds me of the glory days of the 18th-century when Parisian women wore couture while roaming the streets of Paris. Think of Madame de Pompadour and Marie Antoinette. That's how couture should be, non? Next is the Atelier Versace couture dress in the sports car. As we all know, Madame Alt loves driving nice cars. The photo was very dominatrix. It looks like she is en route to a party, ready to upstage the host and steal the scene. Lastly, the Chanel couture dress was very sexy, it made her look like a chic Parisian prostitute. I find everything about French women chic and appealing even if it involves selling bodies.

The pantsuit that Anne-Catherine Lacroix wears is provocative and daring because she could be arrested anytime. As we all knew, the French government just recently lifted the ban that forbade any women in the street of Paris wearing pants. The photo was seductive and evokes the spirit of the Le smoking attitude of Saint Laurent women where she puts one hand in her pocket with a cigarette in the other.

In my great conclusion, the style of Monsieur Saint Laurent muse Betty Catroux was the main inspiration for this photo. But the marabou Valentino feather blouse and the Chanel pantsuit with the pearl necklace screams of another ultra chic and stylish muse of Saint Laurent — Loulou de la Falaise who was known for her feminine style and love of wearing flashy accessories. Remember that it was Loulou who headed the Yves Saint Laurent accessories department.

Overall, there's no real difference from the fashion 13 years ago to the fashion of this decade. Designers come and go but couture style and tradition remains. Kudos to Emmanuelle Alt and Terry Richardson for defining and starting the trend of high street couture.

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Vogue Paris editorial images © 2001 Condé Nast. All Rights Reserved.

samedi
avr.062013

Vogue Paris: Nouveau Genre

Vogue Paris: Nouveau Genre
By Kate Ringo Suzuki

Flash forward to the present issue of Vogue Paris, March 2013, with Emmanuelle Alt at the helm. We see clearly from the editorial styled by Géraldine Saglio titled "Nouveau Genre" (or in English, "New Style") that Alt is a “top” to Carine Roitfeld’s “bottom.” Saskia de Brauw appears in the spread once again, her image dramatically altered. This time Saskia takes the stage with tough-chic model, Casey Legler.

The lush and dreamy set has been swapped for a stark studio set cast in black and white. Let’s call the set “minimalist” and move on. Saskia and Casey are tough tomboys who boldly don sharp, all-black, architectural clothing. Any trace of curvy femininity that they may be endowed with is hidden. In its place are tattoos and edge à la the power 80s. It's as if Emmanuelle Alt is fantasizing about Watts, the blond tomboy from the 1987 movie, Some Kind of Wonderful. What if Watts had a date to the prom? What would Watts wear?

Parisian chic as interpreted by Vogue Paris has shifted from elegant eroticism to working class gender bending. Who goes home with the championship belt?

Contrast my analysis of "Nouveau Genre" with my review of Carine Roitfeld's editorial "Cœur à Corps Perdu" from the March 2011 issue of Vogue Paris.

More from Vogue Paris March 2013

Vogue Paris: Do Not Disturb
By Kamila Brudzynska

Vogue Paris: Full Contrast
By Heather Dunhill

Vogue Paris: Utopies
By Richard James

Vogue Paris Translation: Le Point De Vue De Vogue
By Kellina de Boer

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Vogue Paris editorial images © 2013 Condé Nast. All Rights Reserved.

vendredi
mars292013

Introducing… Yuka Ryou, Contributing Editor

I am excited to introduce a new member of the I Want To Be An Alt team… Yuka Ryou, contributing editor! Located in Tokyo, Yuka is a charming writer with an enormous passion for all things Parisienne and a particular penchant for Emmanuelle Alt. In fact, you may remember that Yuka had the good fortune to meet EA at an event in Tokyo and that she graciously shared her experience with us in her piece "My Minute With Emmanuelle Alt." I hope you will take the time to join me now in welcoming her to IWTBAA — Yuka おめでとうと歓迎 ♡ félicitations et bienvenue !

Yuka Ryou
Contributing Editor

Hello every Emmanuelle Alt fans. My name is Yuka Ryou. Do you remember this photo? If you do, I'm so glad to see you again. This commemorable photo was taken November 2011 at Tokyo. Emmanuelle Alt came to Japan to join in Vogue FNO. I've met my God of fashion. After that, I got a chance to write the miracle experience at IWTBAA. Now, editor-in-chief Kellina give big offer to me again. April is the starting season in Japan. I'm very happy to start my editor life in this spring.

I'll show you my profile!

  1. I'm a 29 year old woman living in Tokyo. But honestly, I wish I was born as Parisienne... 
  2. I love Paris. I've gone there 6 times. But I couldn't be a Parisienne still now... ☹
  3. My fashion icons are EA and her Vogue team, Kate Moss, Freja Beha, and Phoebe Philo.
  4. I also like Sofia Coppola (only her style, not including her movies), Kirsten Dunst, and Clemence Poesy. 
  5. My favorite style is not like the “Harajuku-girls.” I love simply chic style.
  6. My necessary fashion items are B.D. oxford shirts, v-neck sweater, navy pea coat, and pearl earrings. 
  7. I don't wear round toe shoes. So, I was shocked when I found EA was wearing it in this collection season. 

That's almost all about me. Yes, I'm just a geek of EA and Parisienne! I'm not an expert of the mode fashion. So, I wanna grow up through communication with you. I deeply appreciate such a great opportunity for me. Although I'm not good at speaking/writing English, I will try hard to edit interesting posts. I hope that you will be interested in my posts and giving to me your advice and frank opinion. If you enjoy my passion for Emmanuelle, I'm so happy.

I Want To Be A Good Editor for IWTBAA!

Thank you ! / Merci ! / Arigatou !

Yuka Ryou

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Emmanuelle Alt photographs © 2013 Yuka Ryou. All Rights Reserved.

dimanche
mars242013

Vogue Paris Translation: Le Point De Vue De Vogue March 2013

I have translated from French to English the thoughts of Emmanuelle Alt on the March issue of Vogue Paris, her point de vue de Vogue on her avant-garde edition. I love the image that she chose to illustrate her column, David Bowie in a surreal still taken from the 1976 film The Man Who Fell to Earth.

Est radical celui — ou celle — qui ose, fait tomber les barrières, prend des risques et les assume. Sans compromis. Ce numéro de Vogue flirte délibérément, outrageusement, avec le concept. En ligne de mire, les créateurs chefs de file, un cran d'avance sur l'époque, avec qui il n'ya pas de retour en arrière possible, tout comme les talents émergents, sur lesquels le magazine est prêt à prendre des paris. Sous l'œil d'Inez & Vinoodh, Mert & Marcus, Mario Sorrenti, Peter Lindbergh s'illustrent ainsi les tendances fortes de la saison, doublées des propositions les plus novatrices.

‹‹Quand je fais de la mode, j'habille mes idées. Pour moi, les vêtements sont des idées››, dit-elle. Dotée d'une intelligence aiguë de son temps, Miuccia Prada a révolutionné la mode en empruntant au monde de l'art ses pratiques : mixer passé et futur, concilier élitisme et succès. La créatrice milanaise à la tête d'un empire est l'une des visionnaires dont Vogue salue ce mois-ci le caractère d'avant-garde aux côtés de David Bowie, icône de la pop culture, inventeur du style androgyne rock poussé à l'extrême. Et puisque l'avant-garde, forcément précurseur, est l'un des thèmes qui nous inspirent, nous l'avons soumise au regard des meilleurs spécialistes en France : Jean de Loisy, président du Palais de Tokyo, Laurent Le Bon, directeur du Centre Pompidou Metz, Michel Verjux et Loris Gréaud, artistes stars.

This is radical — or that — who dares, to break down barriers, to take risks, and to bear. Without compromise. This issue of Vogue flirts deliberately, outrageously, with the concept. In the line of sight, the creative leaders, one step ahead of the times, with whom there is no turning back, as well as emerging talents, with which the magazine is ready to take paris. Under the eye of Inez & Vinoodh, Mert & Marcus, Mario Sorrenti, Peter Lindbergh are shown the major trends of the season, dubbed the most innovative proposals.

"When I do fashion, I dress my ideas. For me, clothes are ideas," she said. With a keen intelligence of her time, Miuccia Prada has revolutionized the fashion world via art practices: mix past and future, reconcile elitism and success. The Milanese designer at the head of an empire is one of the visionaries Vogue welcomes this month alongside the avant-garde character David Bowie, the pop culture icon, inventor of the androgynous rock style taken to the extreme. And since the avant-garde, necessarily a precursor, is one of the themes that inspires us, we submitted to the leading specialists in France: Jean de Loisy, president of the Palais de Tokyo, Laurent Le Bon, director of Centre Pompidou-Metz, Michel Verjux et Loris Gréaud, artists stars.

More from Vogue Paris March 2013

Vogue Paris: Do Not Disturb
By Kamila Brudzynska

Vogue Paris: Full Contrast
By Heather Dunhill

Vogue Paris: Nouveau Genre
By Kate Ringo Suzuki

Vogue Paris: Utopies
By Richard James

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Vogue Paris editorial image © 2013 Condé Nast. All Rights Reserved.

vendredi
mars222013

Emmanuelle Alt: Reality Show

Inspired by the winning entry of Sylvia Sanchez, I am now curious to examine more closely the editorial "Reality Show" by Emmanuelle Alt…. Originally published in the August 2008 issue of Vogue Paris, Emmanuelle not only presents a primer for dressing with Parisienne chic, but a veritable shopping list: what to buy and in what order to invest. The images of Anna Selezneva shot by Terry Richardson appear side by side below, runway opposite street, along with more information in both French and English about the garments and accessories that are shown. Be sure to click through to the gallery for a closer look at the images. Which are your favorite pieces?

Vogue Paris August 2008: Reality Show
By Emmanuelle Alt

D'un côté, les podiums, de l'autre, a rue. Échappée des défiles, la mode la plus pointue se retrouve dans la vraie vie comme chez elle.

On the one hand, the runways, on the other, the street. Escaping from the show, the most cutting edge fashion is found in real life like her home.

1. Boots, bag, sunglasses, Chanel.

Runway

Pull en maille de laine et angora, Isabel Marant Étoile. 
Jean en denim bleu, Guess Jeans.
Ceinture en cuir, Isabel Marant.
Lunettes de soleil, sac «Classique» en cuir grené matelassé, grand modèle; et cuissardes en cuir mat et verni, Chanel.
Montre «Première» en acier et cuir, Chanel Horlogerie.

Knit sweater in wool and angora, Isabel Marant Étoile.
Blue denim jeans, Guess Jeans.
Leather belt, Isabel Marant.
Sunglasses, "Classique" bag in quilted grained leather (large), and thigh high boots in matte patent leather, Chanel.
Watch, "Première" in steel and leather, Chanel Horlogerie.

Street

Veste transparente en vinyle noir; robe courte en tulle, jersey et vinyle; collants en dentelle; lunettes de soleil en acétate, et cuissardes en cuir mat et verni, Chanel.
Sac «Classique» géant, élément du décor Chanel, pour le défilé prêt-a-porter Automne/Hiver 08–09.

Transparent jacket in black vinyl, short dress in tulle, jersey and vinyl; lace tights; sunglasses in acetate, and thigh high boots in matte patent leather, Chanel.
Giant "Classique" bag, an element from the Chanel scenery for the Ready-to-Wear Autumn/Winter 08-09 show.

2. Jacket, Ralph Lauren Collection.

Runway

Veste «Baldwin Jacket» en drap de cachemire bicolore, sur longue robe en organza volanté de tulle et plumes, ceinture en cuir verni et métal, et coiffe en poulain imprimé léopard et plumes de faisan, Ralph Lauren Collection.

"Baldwin Jacket" in two-tone cashmere broadcloth, over a long dress in ruffled organza of tulle and feathers, belt in patent leather and metal, and cap in leopard print and pheasant feathers, Ralph Lauren Collection.

Street

Veste «Baldwin Jacket» en drap de cachemire bicolore, et sac «Ricky Bag» en python (grand modèle), Ralph Lauren Collection.
Jean court en denim délavé tie & dye, Topshop.
Ceinture en cuir verni, Isabel Marant.
Escarpins en cuir noir, bout métallisé, Giuseppe Zanotti.
Bague «Trinity» trois ors, Cartier.

"Baldwin Jacket" in two-tone cashmere broadcloth, and "Ricky Bag" in python (large), Ralph Lauren Collection.
Short faded tie & dye denim jeans, Topshop.
Patent leather belt, Isabel Marant.
Pumps in black leather, metallic tip, Giuseppe Zanotti.
"Trinity" three gold ring, Cartier.

3. Vest, Alexander McQueen.

Runway

Gilet en velours et passementerie dorée, robe bicolore en tulle de soie et velours, pantalon en cuir à bottes intégrées avec bout en métal, diadème en métal et strass porté en ceinture, bracelets en résine et strass, et coiffe en métal doré et strass, le tout, Alexander McQueen.

Velvet vest with gold trim, two-tone dress in silk tulle and velvet, leather pants and boots with integrated metal tip, metal and rhinestone tiara worn as a belt, bracelets in resin and rhinestones, and gold metal and rhinestone headdress, all, Alexander McQueen.

Street

Gilet en velours et passementerie dorée, Alexander McQueen.
Chemise en popeline de coton, New Man.
Jean en denim brut, J Brand chez Montaigne Market.
Ceinture en cuir et métal doré, Gucci.
Lunettes de soleil pilote de la collection «Santos», Cartier.

Velvet vest with gold trim, Alexander McQueen.
Cotton poplin shirt, New Man.
Raw denim jeans, J Brand at Montaigne Market.
Leather and gilded metal belt, Gucci.
Pilot sunglasses from the collection "Santos," Cartier.

4. Shirt [blue], Prada.

Runway

Chemise en popeline de coton, col en soie stretch, jupe en guipure dentelle avec ceinture assortie, collier en vinyle, sandales en guipure dentelle et cuir verni, le tout, Prada.

Poplin cotton shirt, collar in stretch silk, lace skirt with matching belt, vinyl necklace, sandals in lace and patent leather, all, Prada.

Street

Chemise en popeline de coton, et sac en cuir et dentelle, Prada.
Pantalon en cuir stretch zippé aux poches et aux chevilles, et ceinture en cuir, Balmain.
Ballerines en cuir, Lanvin.

Poplin cotton, leather and lace bag, Prada.
Stretch leather pants zipped pockets and ankles, and leather belt, Balmain.
Leather ballet flats, Lanvin.

5. Shirt [tartan plaid], Dolce & Gabbana.

Runway

Manteau en agneau; veste, gilet et pantalon en tweed de cachemire et alpaga; chemise en toile de laine et cachemire imprimé tartan, ceinture en cuir, foulard en soie imprimée, casquette en chèvre façon poulain, derbies en cuir et détails en cristal Swarovski, le tout, Dolce & Gabbana.

Coat in lamb; jacket, waistcoat and trousers in tweed of cashmere and alpaca; shirt printed on wool and cashmere tartan plaid, leather belt, printed silk scarf, goatskin cap, leather derby shoes with Swarovski crystal details, everything, Dolce & Gabbana.

Street

Chemise en toile de laine et cachemire imprimé tartan, t-shirt, foulard en soie imprimée, et sac en patchwork de cuir et croco, le tout, Dolce & Gabbana.
Jean en denim délavé usé, DSquared2.
Ceinture en cuir et métal doré, Gucci.
Bottes «Babouska» en veau velours, Isabel Marant.

Shirt in wool and cashmere printed in tartan, t-shirt, printed silk scarf, and bag in leather and crocodile patchwork, all, Dolce & Gabbana.
Faded and worn denim jeans, DSquared2.
Belt in leather and gilded metal, Gucci.
Boots "Babouska" suede, Isabel Marant.

6. Belt, Gucci.

Runway

Manteau en peau lainée et détails broderies, blouse en toile de laine et lin brodée aux manches, pantalon en cuir piqué de clous et d'anneaux métal, ceinture en cuir et métal, ceinture chaîne en métal à pompon de veau velours, sac en cuir et clous métal et bottes en cuir clouté, Gucci.

Shearling coat with embroidered detail, woolen cloth blouse with embroidered linen sleeves, leather pants with studded metal rings, leather and gilded metal belt, suede and chain metal tassel, metal studded leather bag and boots, Gucci.

Street

Blouse en toile de laine et lin brodée aux manches, ceinture en cuir et métal doré, boots en veau velours frangé, sac «Gucci Hysteria» en cuir et broderies tapisserie, Gucci.
Short en coton, American Apparel.

Woolen cloth blouse with embroidered linen sleeves, leather and gilded metal belt, suede fringed boots, "Gucci Hysteria" bag in leather and embroidered tapestry, Gucci.
Shorts in cotton, American Apparel.

7. Leather pants, Givenchy by Riccardo Tisci.

Runway

Veste en drap de laine stretch, blouse en voile de soie et dentelle, ceinture en cuir et métal doré, pantalon en cuir, colliers chaînes en métal doré, chapelets en métal et perles de verre, boots ouvertes en cuir et strass, Givenchy par Riccardo Tisci.

Jacket in stretch wool, blouse in silk voile and lace, leather and gilded metal belt, leather pants, necklaces, gold metal chains, metal and glass beads, open-toed boots in leather and rhinestones, Givenchy by Riccardo Tisci.

Street

Pantalon en cuir et sac ‹‹Melancolia›› en cuir et métal doré, Givenchy par Riccardo Tisci.
T-shirt en coton, Acne.
Boots en agneau velours frange, Christian Louboutin.
Bague ‹‹Trinity›› trois ors, Cartier.

Leather pants and "Melancholy" bag in leather and gilded metal, Givenchy by Riccardo Tisci.
T-shirt in cotton, Acne.
Boots in fringed lamb suede, Christian Louboutin.
"Trinity" three gold ring, Cartier.

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Vogue Paris editorial images © 2008 Condé Nast. All Rights Reserved.